February 2018 Update

So first of all…it`s been only 2 months into 2018 and the amount of work/projects I`ve done is a little crazy – here are some of my clients: Huawei (Addicted To You – Director`s Cut),  National Polish Bank (NBP), Allegro, Dakea, Ministry of Energy, European Space Agency, PanGenerator and Frogsong  Studios. Shoutout to 180hb, F25, Fishladder and Platige Image 🙂

Even though I was quite busy with my commercial/ads projects, I have been also working on my upcoming string quartet album entitled Ephemera, which should be ready within a month. I am currently finishing up all the mixes and I hope to be sending the music for mastering in about two weeks from now. I will most certainly be writing more about this project very soon.

Meanwhile, I try to keep on reading – right now Silence. Lectures and writings by John Cage, which even though sounds a little “outdated” (not surprising), is a piece of art in it`s own right.

Oh, and I also listen to A LOT of Johann Johannsson`s music. May his soul rest in peace.

Sailing with Morton Feldman

I recently took a short vacation break and went sailing with some of my good friends to Greece (starting in Pireus and visiting Hydra and Poros among others).

We have been sailing for a few days already, my last week’s everyday was a distant memory and was replaced by everyday blue vastness and windy spaciousness.  I was sitting on the deck, gazing purposelessly at the distant, and monotonous scenery while listening to music, when the 4th movement of Morton Feldman`s Rothko Chapel started  unravelling itself. Lucky coincidence that has created an experience.

It was one of those moments, when music and surroundings create a perfect unity. The hypnotizing, ‘primitive’ calling of the solo soprano, the spacious and seemingly simple texture of the piece, full of resounding pauses letting the gentle ambience of the sea to come through; the land  – simple, scorched  block of rock in the blue; almost a desert, so empty that it becomes full of everything and total in a way. Both dissonant, hostile and yet calming.

I took a picture of what I saw  although what is lost in the still is the slow panning of the lonely land that added almost a cinematic quality to the scene.

I can only imagine that the described experience might be somewhat similar to a visit in the actual Rothko Chapel, which is described as non-denominational temple. The very idea of creating such universal, all-encompasing space is fascinating. I truly believe I`ll get a chance to be there one day; but for now – this was my ‘Rothko Chapel’  moment in Greece.

More information on the Rothko Chapel – http://rothkochapel.org/learn/about/

It`s #Noirvember !

So, apparenty November is also known as #Noirvember now (thanks to Marya, My Sweet), which is a really cool way to celebrate ‘the Noir’ and maybe motivate ourselves to watch/rewatch some of the classics. I have managed to watch Detour, which I thought was okay-ish (though I expected a bit more given it`s cult status), I hope to find some time to rewatch  maybe Laura, The Third Man or Double Indemnity, which I consider some of my favourites.

Initially I planned to write something on Naremore`s very interesting  More Than Night: Film Noir in Its Contexts which I have been reading for a few months now, but given how much work I have left in the next few weeks, I doubt I will be able to finish it on time. I will write something about it eventually though 🙂

To get you in the mood / inspired there`s a fantastic selection of beautiful Noir shots at One.Perfect.Shot, which you can find here: https://t.co/4grUPRcvi9

p.s. Detour is now public domain, and you can watch it for free on the internet.

Bulgarian Music Books

I have been doing research on Bulgarian music and culture for quite a while now, and I found the subject quite fascinating. I have managed to get my hands on two particularly interesting books – Music in Bulgaria: Experiencing Music, Expressing Culture by Timothy Rice and Performing Democracy: Bulgarian Music and Musicians in Transition by Donna A. Buchanan. Since I found both of the books interesting, not only from a composer`s point of view, I`ve decided to share some of my thoughts.

Music in Bulgaria: Experiencing Music, Expressing Culture, being part of The Global Music Series, is a fairly typical ethnomusicological book; it gives a general introduction to musical style and instrumentation of each of the bulgarian region (the author names and describes four of them: the Shop region near Sofia, Thrace, Rhodope Mountains and Pirin region). Obviously the part I found most interesting was the chapter on Rhodope Mountains, which is where the action of Radiogram takes place. Music in Bulgaria is not very detailed (however if you know what to look for, you can easily find  all the missing details on the internet, like for example tunings, etc.), but nonetheless, very satisfying. The Global Music Series (which consists of more than 20 books) is a wonderful place to start for everyone interested in particular ‘ethnic’ music tradition. For more information check out this companion website: http://global.oup.com/us/companion.websites/umbrella/globalmusic/

Performing Democracy: Bulgarian Music and Musicians in Transition is a wholly different beast, though to be completely hontest,  I have skipped the Musicians part of the book (at least for now) and delved right into the chapters on Rhodopes. This book gives a great, vivid image of the regional culture and spirit, which is so crucial for a composer trying to be authentic in his writing. For example, consider this passages from page 280:

Very little onstage movement was evident in the Ensamble`s [Ensamble for Rhodope Songs and Dances] program, but when this occured, it was accomplished with the great calm and steadiness unique to Rhodope choreogrophy […]; and […] she described local men`s dancing as related to their demeanors and everyday gestures: slow, ponderous, and delibarate, filled with emotions but constrained.

It`s this sort of information that is really hard to find (without going anywhere that is), but can tell you a lot about the people and the spirit of the region. Besides that, the book has some interesting chapters discussing Bulgaria`s Thracian / Ottoman heritage and it`s political meaning, its complex ethnic structure (especially the Muslim groups: Pomaks, Turks and Tatars), the tradition of slow songs and it`s relation to the complex history of Bulgaria and even interviews with musicians about narodna muzika and its syncretism with Turkish music… in other words, the book covers lot of  information a composer writing a score about Pomak family in the 70` has to know.  Still, there is there`s probably even more goodness inside.

I hope at least someone found this interesting 😉 Anyway, back to work !

p.s if you`re interested in listening to some fantastic Bulgarian music – here are a couple great, pretty well-known albums to start:

Le Mystère des Voix Bulgares – an album released in 1975, which was a result of years of studies by Marcel Cellier (definitely a name worth further investigation); there is a whole chapter on this album and Cellier in Performing Democracy…

Music of Bulgaria [Deezer] – one of my favourites, a fantastic album from 1955. According to wikipedia, one of Frank Zappa`s favourites.
Bulgarian Soul [Deezer] – an album featuring a Bulgarian mezzo-sopranist Vesselina Kasarova;  just listen to Dilmano, Dilbero 🙂

p.p.s. both of the books have a CD with music and score sheets (for some of the songs).